Bezimena is an oversize hardcover volume printed in a stark and dark black. In this paper, we are particularly interested in the role of empathy for the perpetrator that the graphic narrative might generate, and how an ethics of empathy might shape both our experience of the work itself and our larger moral and political (re-)actions. Nina Bunjevac pulls out the stops in her first graphic novel for Fantagraphics. Hlavní hrdina, Benny, je oním promnncem, jeho nutkavé mylenky jej ji od dtství. Tokrat odkriva, kako pisati o izkunji spolnega nasilja. Výchozím bodem grafického románu Niny Bunjevac je mýtus o Siproitovi, ve kterém bohyn Artemis promní mladíka v enu za pokus o znásilnní. Serbian-Canadian cartoonist Nina Bunjevac’s third book, Bezimena (2018), zeroes in on the perspective of a perpetrator of child sexual abuse and murder while taking on the logic of fantasy and relying on well-circulated classical myths in order to frame a narrative of sexual violence, seemingly outside the traditional confines of history and biography. Risoroman Bezimena Nine Bunjevac: Skrivnost ob srpu mlade lune e se je Nina Bunjevac v risoromanu Oetnjava pred leti sooala s tem, kako pisati o oetu, ki je bil terorist, njeno novo delo Bezimena odpira neko drugo travmatino poglavje njenega ivljenja.

Nina bunjevac bezimena